The bodhrán is a frame drum consisting of a wooden body or shell and an animal skin or synthetic (plastic) head. Unlike other frame drums, the bodhrán is played with a double-ended stick called a beater, cipín, or tipper. The Irish word bodhrán is pronounced bow-rawn. One can think of the first syllable rhyming with the word cow and the second syllable rhyming with the word brawn. More emphasis is generally placed on the first syllable. Although reportedly an ancient instrument, the bodhrán is a relative newcomer to the traditional music of Ireland and Scotland.

The bodhrán first gained attention within the traditional music scene in the early 1960s when Seán Ó Riada used it in his arrangements for the traditional Irish Music Group Ceoltóirí Chualann. At the same time, the now hugely famous group the Chieftains were forming. The bodhrán figured prominently into their sound. Various people have played the bodhrán for the Chieftains over the years including David Fallon, Peader Mercier, and Kevin Coneff.

Throughout the 1970s, bodhrán players such as Tommy Hayes, Christy Moore, and Johnny McDonagh redefined the use of the bodhrán in Irish Music, developing highly sensitive rhythmic and tonal accompaniment styles.

Today, modern percussionists such as John Joe Kelly, Donnchadh Gough, Eamon Murray, and Paddy League continue to expand the bodhrán's musical range and style.

Matthew builds on the styles and techniques of all of these players while simultaneously highlighting his own unique technical and musical concepts. He combines a highly tonal style, while also embracing the highly syncopated, rhythmically-driving style associated with Scottish Highland Piping and Snare Drumming. Matthew's study of Orchestral Percussion Techniques along with Jazz Drumset has also highly influenced his technical approach to the bodhrán. Above all else, Matthew believes that sensitive accompaniment is key.